Hard Drive For Video Editing For Mac Pro

#Hard Drive For Video Editing Pro Software That Needs

1 Creators can also now edit 8K Canon Cinema RAW. 1 And with new Metal support, 8K RED RAW transcodes are up to two times faster on Mac Pro, and up to three times faster on MacBook Pro. Video editors on 16-inch MacBook Pro will benefit from render performance that is up to 20 faster while editors using iMac Pro will see gains of up to 35.

Even these cost around 1,000. And with its aluminum core, itвЂ™s sturdy enough to withstand a 3m drop.You would need a high-end PC to get the processing power video editing requires. Released in the summer of 2018, itвЂ™s the companyвЂ™s latest Thunderbolt 3 device to combine blazing speeds with a rugged build. G-TechnologyвЂ™s G-Drive Pro is the bigger and faster brother to its standard non-pro sibling. And WD offers it in four storage sizes ranging from 256GB-2TB with a.What is the best storage for video editing? Learn how to set up your RAID or NAS video storage with an effective backup and workflow strategy.6 G-Technology G-Drive Mobile Pro SSD.

However, itвЂ™s not enough by itself. But if you lose your source video files, youвЂ™ve lost everything.Making sure youвЂ™ve got reliable, fast online video storage to work from is the first step. Almost everything else can conceivably be recreated. Project files are usually small, and easy to back up. Budget-wise, PCs are advantageous for video editors.As a video creator your camera source video files are the most valuable thing you have. And that would cost you a cool 1,500 or more.

Hard Drive For Video Editing Pro Software That Needs

That data will be gone forever if it doesnвЂ™t exist elsewhere, and just one backup is not enough. In fact there is a 100% chance that every hard drive you own and use will fail. Our digital world is incredibly fragile. This involves both hardware, and software that needs to integrate well with the way you work.If a file doesnвЂ™t exist in three places, it doesnвЂ™t exist.ItвЂ™s a common saying among IT professionals, and actually anyone involved in managing data.

NAS Video Storage and USB Hard Drive or LTO Backup Direct Attached Video Storage and USB Hard Drive or LTO Backup Online Video vs Offline Video (Proxies) The Best Storage for Video Editing, VFX, and Color Grading

Buying Individual External Hard Drives & SSDThis is a long article. 10GbE Networking for Office or Home Studio The Best File Systems for Video Storage Most expensive and fastest (zero downtime): Mirrored online video storage plus backup hard drives or LTO tapes More expensive but fast, and most secure offline backup solution: LTO-8 tapes Cheapest and slowest offline backup solution: USB hard drives

A backup is an example of offline data. Online Storage is high speed attached working storage for instant access to active video media and other files.Nearline Storage is attached storage for short term data that needs to be instantly accessible, but doesnвЂ™t require the speed of the online storage.Offline Storage is medium term storage of data that is not attached or instantly accessible. If a file doesnвЂ™t exist in three places, it doesnвЂ™t exist.

If you have a larger 8-drive RAID, you can consider RAID 6. This protects your data from a single drive failure in the array. Configure your RAID storage for redundancy using RAID 5. This can be pairs of cloned external hard drives, or even LTO tape using a desktop LTO tape drive. However, always duplicate your media to other offline storage. You can use a direct attached RAID, or a shared NAS as your primary working online storage.

There are options for personal cloud backup (including backup of external hard drives) and to backup an entire NAS.The Best Storage for Video Editing, VFX, and Color GradingIвЂ™ll admit it, the title of this article, and this section heading is mainly for good SEO. Cloud storage is becoming more affordable. Pairs of cloned USB external hard drives are ideal and donвЂ™t take up much space, but are slow to restore data from. But remember to always backup your media to other offline storage. External SSD drives are a great portable online storage solution on location or when traveling.

Beyond this scale, all of the same technical principles apply, but involve much larger systems. This article is intended as a guide for individual video creators using up to an 8-bay desktop RAID storage solution, regardless of whether it is a DAS (direct attached) or NAS (network attached). The best media storage for video editing and post production is not the same for everyone.

Working from online storage alone with no backup of your files is not a strategy at all.I also categorize the common kinds of files in video post production, and suggest what kind of storage is best for them. You can also add cloud storage to any kind of on-site workflow. IвЂ™ve tried to make this modular in the sense that you should choose a solution for online working storage, a solution for continuous duplication (backup) and also for long term archive. However, rack mounted enterprise shared storage, and robotic LTO tape libraries are beyond the scope of this article.What youвЂ™ll find in this article is an explanation of the requirements to ensure your data is always safe, and the different hardware options you can consider.

Online Storage is high speed attached working storage for instant access to active video media and other files Here are some useful and simple definitions. Online vs Nearline vs OfflineIвЂ™m certain youвЂ™ve heard these terms used widely when discussing video storage.

Offline video files are low resolution, compressed proxy versions of the online video files that have been created (transcoded) directly from the online video files.Offline video files, sometimes just called proxies, are sometimes created to enable easier and faster editing if the full resolution online video files are too large or too slow for a computer to play back efficiently. Online video files are full resolution, original source video files This doesnвЂ™t really have anything to do with storage but IвЂ™ll explain here to help clarify the terminology and prevent confusion. A backup is an example of offline data.To make things a bit more confusing, the terms вЂњonlineвЂќ and вЂњofflineвЂќ are also used to describe source video files, and low resolution, compressed video вЂњproxiesвЂќ. Offline Storage is medium term storage of data that is not attached or instantly accessible.

As long as the filename and timecode are the same as the parent online video files, it will be possible to easily reconnect ( conform) a sequence back to the online video files.Some software, such as DaVinci Resolve can create optimized media which it handles internally. They will often have a different file extension (but not always) because the codec and format may be different. Once the edit is locked, the sequence can be reconnected to the full resolution online video files (this process is called a conform) for color grading and export of final deliverables.Often these offline video proxies can be generated as standalone files, and will always share the exact same filenames, and timecode as the source online video files.

ItвЂ™s easy to blur the lines and think of these all as simply duplication of your video files, but each serves a different purpose. Copy vs Backup vs ArchiveBefore we can dive into different types of video storage, or even strategy and structure, I want to define the key differences between a copy, a backup, and an archive. It is the same with DaVinci ResolveвЂ™s render cache, which are temporary proxy video files rendered only from portions of online source video clips in a sequence.There are many reasons to create, or use offline proxy video files if they help streamline your workflow or increase performance, but whether they are a standalone set of files, or a hidden cache, they can always be recreated from the original online source video files.

Hard Drive For Video Editing For Mac Pro